Movies sharing stylistic and thematic similarities with the 2011 movie Drive typically function a stoic protagonist, a retro-influenced aesthetic, synth-heavy soundtracks, and a mix of crime drama with parts of neo-noir and arthouse cinema. These movies regularly discover themes of alienation, city loneliness, and the blurred traces between anti-hero and villain. Examples embody Thief (1981), Le Samoura (1967), and newer works corresponding to Nightcrawler (2014) and Good Time (2017).
The enchantment of this particular cinematic type lies in its atmospheric rigidity, minimalist storytelling, and give attention to visible language. The resurgence of curiosity spurred by Drive displays a broader cultural appreciation for retro aesthetics and a need for character-driven narratives that prioritize temper and ambiance over complicated plotting. This particular subgenre offers a novel mix of thrilling motion, introspective character research, and stylized visuals, interesting to a variety of cinephiles.